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Wednesday, July 1, 2015
Wednesday, June 24, 2015
Tuesday, June 23, 2015
Monday, June 22, 2015
Saturday, June 20, 2015
Posted by leonel at 8:57 AM
Friday, June 19, 2015
Thursday, June 18, 2015
Wednesday, June 17, 2015
Tuesday, June 16, 2015
Monday, June 15, 2015
Love Notes." It seems to be her fifth album, and believe it or not, I think I have most if not all of them. And don't ask me how I got them, probably from perusing jazz vocal bins. Looking at her website , she seems to be based in Ojai, California. Haag has a breathy but full voice, a little on the bland side, but she uses it well. Once she starts singing, you can't help but keep on listening. And she definitely has great taste - her previous albums included tributes to Sarah Vaughan and Billie Hollday. Her sound veers more jazz - on this album, most of the arrangements have a light swing to it, and chestnuts like "Just In Time," and "the Very Thought Of You" sound well enough. There's an interesting lilt in "Moonlight Becomes You." but all in all, it suffers from being too familiar, and lounge-y. While it's okay if you were at a Holiday Inn on a business trip, as an aural experience it just lacks that certain oomph to catch your attention. And there are some tracks with pitch problems. So while I have to give her an A+ for effort, all in all it just passes.
Sunday, June 14, 2015
Saturday, June 13, 2015
Friday, June 12, 2015
I am in the process of cataloging my scents and I am finding a lot of "neglected" ones. As I use them, I of course wonder why i don't use them more. Prada L'eau Ambree is one I think I have used once, twice tops since I got it. I was hesitant to spray today because it is a hot dry day, and when I saw the amber in here, I thought, gee will the harsh ambergis annoy me? But I know Prada scents are on the light side, so I sprayed anyway. This is perfect for a summer day, akin to the house's Infusion d'Iris. Actually, should have called this Infusion d'Ambre, because probably this gets lost in their regular collection (I myself cannot get them straight) Daniela Andrier has crafted a light take on the amber - it's there, but the light florals take center stage. It is very close to Prada Amber Homme (which I wore a lot when it first came out) without the men's soapy/lavander vibe. The florals here give the scent softness, with the amber edging it out. This is an elegant scent, perfect for office, as it stays very close to the skin, and has almost no sillage. I found myself tugging at my shirt so I could smell it. Even non-amber lovers will appreciate this.
Thursday, June 11, 2015
Wednesday, June 10, 2015
After watching the season finale of "Younger," I realize the series has to be redefined a bit for Season 2. I guess the first season is for Liza to fully know herself, and we as a viewer did as well. It dealt with ageism, and how youth centered our society can be. It defined Liza and her relationships - first with Josh, then Kelsey, her boss, even her daughter. At the end of the season, we see her firmly standing ground - even staying above fray to keep her dignity (with regards to dealing with an ex-colleague blackmailing her, for example.) I was kind of expecting some kind of big cliffhanger, but we only get quiet ones. It was nice to see her in a better place with Josh. I don't think they are going to rush back to them having their relationship back right away, but it should be interesting to see where they go from here, with Josh knowing her "secret." Liza's daughter coming home should also widen the net for Season 2. I wonder, for example, how she would deal with Josh. I can imagine her being attracted to him as well, and that could provide more conflict between mother and daughter. A lot of questions that set us up for season two, and I cannot wait till January. I must say that Sutton Foster is great here, showing strength, and vulnerability at the same time. I like that they are using how awkward Sutton is to fit her character - I never get that Liza is ever truly glamorous, for example. I feel she will always have some kind of insecurity in her. I think I have written before that I feel Hillary Duff is somewhat wasted - weren't they setting her character up to be some kind of doormat for her boyfriend? I guess that went nowhere. I hope she gets to do a little more next season. Al in all, I love this show, though, and you know I will be there January.
Tuesday, June 9, 2015
"The King & I" won a couple of awards Sunday night at The Tony Awards, and it inspired me to listen to its recently released cast recording. This score is one I know in and out, one of my earliest memories of listening to cast recordings. (I think I was more acquainted with the film soundtrack, though, before I first heard the 1951 Cast Recording) I am not even going to compare this to previous recordings, as I am one of those purists who almost always prefer original casts. So I will take this recording as it is - a representation of the current Lincoln Center revival now playing at The Vivian Beaumont. And what a glorious recording of a glorious score. there is such profound richness in Richard Rodgers' music, and Oscar Hammerstein's lyrics still resonate and make me think. And if there's only one reason for this recording to exist, it is to preserve Kelli O Hara's Tony award winning performance. She is as close to perfection here: that soaring soprano, and you can see her go through vulnerability, hurt, and strength all in one sitting. She is joyous, luminous in "Getting To Know You," and in Anna's dramatic soliloquy, "Shall I Tell Him What I Think Of Him," she is defiant, a pillar of her principles. A lot of people have complained about Ken Watanabe's diction, but here on the recording, his accent (he learned the role phonetically) just enhances his charming take as The King. Ruth Ann Miles is also great here, and you can see why she won a Tony as well. To my ears, the orchestra is a bit thinner, but nowadays, what isn't? I will proudly file this recordings with previous Kings and Annas.
Monday, June 8, 2015
Summer's here, and the beach reads are pouring. "The Status Of All Things," by Liz Fenton and Lisa Steinke is a great one to pick up. It ponders that modern question - what if you can write various Facebook status and they all come true. This book is a variation on that age-old wish story, only this time via a social media platform. But the book is much more than that, of course. Kate, dumped by her husband-to-be the night before her wedding, gets a chance to rewrite history. But should she? We probably all know the answer to this question but Fenton and Steinke takes us on a wild and believable journey, and I was taken along by all the twists and turns - the book is far from predictable. I found myself rooting for people I didn't think I would, and then second guess myself. This is a light, enjoyable book but it also made me think. Summer just got a little more sunnier.
Sunday, June 7, 2015
Well, another year, another Tony Awards. This season was a pretty good one, with some real good theater, and there were a couple of tough tight fights in some major categories. My thoughts on this year's Tony's:
1. As hosts, Kristin Chenowith and Alan Cumming did a good job. They were zany and wacky most of the time, and I just wish there was an equal balance of elegant and class. But, they kept the show going at a great speed, and I felt bad for Kristin losing. I was rooting for her anyway, but to see her work her ass of and come home empty handed was heartbreaking. But Kelli deserved it, too, and yeah that whole she finally won a Tony thing.
2. I had no real horse between Fun Home vs An American in Paris thing. Though I am slightly for the latter. Fun Home is deeper work, but I found the score a little less tuneful. I would have voted for Kander & Ebb myself.
3. The numbers from the musicals were all good: I thought "A Musical" from Something Rotten was a good opener, and the medley from "the King & I" touching. But the standout number for me was "On The Town," where you saw the real breadth and scope of the production. Out of context, the numbers from "On The Twentieth Century," and "The Visit" were just good. The "Fun Home" number was touching and brave: middle america needed to see that.
4. The "In Memoriam" number was hyped but fell short, in my opinion. I would have wanted real Broadway singers (the house was full of them) Instead we get Josh Groban, who while competent, was just there to promote his new album.
But I may bitch and moan, still I look forward and enjoy teh Tonys every year.
Saturday, June 6, 2015
Friday, June 5, 2015
Today will be a long day for me - a full day at work, and then flying to Los Angeles after. It's a short flight, but God knows where I will end up later. Whenever I have these kinds of days, I always want to wear scent that is tenacious - one that will stay with me till the wee hours of the morning. (I am almost positive I will go out after landing at LAX) Last week it was Dior's Oud Ispahan, and it got me through a similar day. Today I wore Chanel Coromandel - I wanted something strong, but also versatile - something that will withstand weather changes, bar hopping, and an after-midnight food trip. Coromandel is kinda rough - a big blast of patchouli and woods. But it is also pretty - amber, benzoin, vanilla. And since this is Chanel, it has the sheen of aldehydes. It's unique, but has an oriental feel that's familiar. I can imagine it on Coco Chanel, with her pearls and pearl buttons. I can also imagine it on a French businessman, with his blue shirt and navy tie. Whenever I wear it, I find something new to smell about it - as I sprayed this morning, I think I never noticed how pine-y it is in the beginning. Now, about two hours after, my arm smells mineral-ly - I sense a little bit of dirt in the patchouli. It is a perfume that evolves as you wear it, and I look forward to what it will smell on me after a couple of Gooseberry drinks tonight.
Thursday, June 4, 2015
Everyone hates Stacey. Her friends annoy her, and she is a pain in the ass to Ward and his friends. So there is only one way to get rid of her, right? By killing her. If you find that premise funny, then you may like "Let's Kill Ward's Wife," a black comedy of sorts. Written and Directed by Scott Foley (I know everyone knows him now from 'Scandal,' but to me he will always be Noel from 'Felicity') it starts out kinda fun, but by midpoint, you kind of feel all of them trapped with nowhere to go. They had this big idea but nowhere to go with it. I will watch anything Patrick Wilson is in, so I finished the movie, but then I had to ask myself, "Why?"
Wednesday, June 3, 2015
Well, with one episode to go, I guess some revelations have to happen - it's been a slow burn in that department - and you have to thank Molly for that. No, not Molly Shannon, though I could really see her in a role in this show. Liza took "Molly" (MDMA) and in a fit of honesty, confessed to Josh that she is really a 40 year old housewife from New Jersey. This after a very sweet moment when Josh, also high, says "I Love You" to Liza. Is Molly really a truth serum that forces these characters to be honest with each other? I don't know if I like the pacing of this particular story line. I can imagine Liza carrying over her secret to the second season. I mean, the show hasn't really explored that fully, in my opinion. (i never read the book so I don't know what happens next) Josh, at the end of this episode leaves the party dejected and forlorn, so I guess we will see that development next week, at the season finale. I wonder if the secret will spill over to Empirical. My only other big thought on this episode (and this series, actually) is how Hillary Duff's role has been thankless - that was it for her? She had an affair, and after a mutual confession with her boyfriend, everything is fine? Hmmm, Hillary, you got the short end of the stick.
Tuesday, June 2, 2015
Dame Shirley Bassey has a new album. Well, it's new-ish, as it came out late last year but I am just getting a chance to write about it now. Can you believe she has been in the business for sixty years? Her 36th album, "Hello Like Before," shows that she is still ins trong voice: it's still big, brassy, and the Bassey voice that we have all grown to love after all these years. The album itself is an incoherent mix, with tracks from all over the place. There are re-recordings of previous Bassey hits - she does "Goldfinger" again because she claims three were a coupel of bum notes from her original version. Yet to my ears it sounds exactly the same. She duets with Paloma Faith on a fun "Diamonds Are A Girl's Best Friend." and it sounds funky and modern. But, my favorite tracks are the more reflective ones: her life and experience shine through on melancholy tracks like "Here's To Life," "It Was A Very Good year," and the slowed down "Hello Like Before." There's some quiet dramatic and realistic readings in there, and those are what I related to the most.
Monday, June 1, 2015
I don't think I ever got a chance to write about the first season Vicious, but I did watch every single episode. I didn't love it, but it was a fun mindless sitcom, and hello, it is always a treat seeing Sir Ian McKellan and Derek Jacobi being bitchy and mean to each other. Yes, they are old bitter queens (and I know the series got a lot of flack for that) but honestly, they would be the type of companions I would want to have at a dinner party. As the second season starts, you can see the ease these actors have in handling their roles. I feel like they are more relaxed, and the audience knows these characters well now, and we are just waiting for the punchlines to come. Not all of them land, but McKellan and Jacobi deliver them with perfect timing that I can't help but laugh anyway. The first episode of the season, "Sisters" was great episode: full of zings, mistaken identities, role-playing that you can't help but get taken by its infectious energy. I look forward to the season.
Sunday, May 31, 2015
Every once in a while, even a jaded theatergoer like me still gets shocked. yes, shocked from seeing something so good that my faith in theater is renewed. That's how I felt seconds into seeing the new revival of "On The Twentieth Century." now playing at The American Airlines Theater and produced by the Roundabout Theater Company. This is a show I have never seen, but whose original cast recording I have devoured when I was still "discovering" Broadway scores. So I have only imagined Madeline Kahn doing the role of Lily Garland. Now that I have seen Kristin Chenoweth in the same role, she will forever be etched in my memory. As if I had a doubt before, but here Chenoweth proves her mega watt star power. And in playing role, her small frame gives a larger than life performance, and it is one of those performances that only comes once in a blue moon, and years from now, we will all be bragging about the time we saw her do this role. Yes, it is that great, and on Tony night, the theater community will not be able to resist giving her another Antoinette Perry. She does everything here, and she does all of them big: she sings every note in the scale, she dances every step in the book, she chews every imaginable scenery - and she does them all with sheer delight. And she is supported by such a charming cast, starting with Peter Gallagher as her producer ex-boyfriend who is trying to woo her for a new production that will save his recent flops. And Andy Karl, as her boy toy, displays comedic timing I never thought he possessed - and he was already sublime in last season's "Rocky." The score takes time to love, although once you do, it's irresistible. There are a lot of things happening on stage, and for the most part they all hit the right mark. But again, again, and again, it's Kristin - she carries this whole show, and lets it soar. On my death bed, this will be one of the highlights of my theatergoing experience.
Saturday, May 30, 2015
I remember being excited when the film "54" originally came out (in 1998) and now it seems so weird that I remember very little about it. I do remember that the movie released was not the original cut of the director. It turns out 40 minutes of "dark" material was excised from the original version and reportedly Harvey Weinstein wanted to beef up the love angle between Ryan Phillippe and Neve Campbell (who was promoted from a glorified extra to love interest) So here we are seventeen years later with the Director's cut of "54," and while I wouldn't call it a cinematic masterpiece, this is a more textured movie that is more focused. The heart of "54" now is the love triangle between the characters of Phillippe, Salma Hayek, and Breken Meyer (and the latter looked so handsome in this movie) There is a clearer characterization of Shane's sexuality here: it is clear that he swung both ways, and the only ambiguity here is whether he was pairing up for advancement in his career. There has been a lot of talk in that brief kiss between Phillippe and Meyer, and it is a sweet and tender moment, representing the affection the two characters for each other (almost in a non-sexual way, even) And I know that Mike Myers is still getting accolades for his portrayal of Steve Rubin, but for me he is sort of the weak link: I could never discern if his performance was mimicking or paying tribute. I love the fact that the director Mark Christopher did not treat this as a straightforward morality tale. While Shane, after all he has gone through, did fall down, you just know that he woke up the next day, and persevered. Lastly, if there is one shallow reason to see this movie, it is to celebrate the beauty that is Ryan Phillippe: he is everything in this film - innocent, angelic, sexualized, demonized, menacing, objectified. On that level, it is sheer perfection.
Friday, May 29, 2015
You don't have to be a "The Bachelor(ette)" fan to enjoy "UnREAL." I have only watched snippets of the popular ABC show myself, to be honest. "UnREAL" is a drama/dark comedy from Lifetime that goes behind the scene of dating show titled "Everlasting," and it is riveting. This show revolves around the character of Rachel (Shiri Appleby) who is a producer. She is back after having a nervous breakdown in the middle of shooting the finale of the previous season. After charges of grand auto theft and DUI, she is subjected to therapy and community service, and is thwarted back at the show. We see the inner workings of how a dating show is taped for maximum drama, as Rachel is the master manipulator, a trait that is best used in producing for these kinds of shows. I don't know if "UnREAL" is real or an exaggeration, but it is great television, and I have instantly put it on my DVR. Aside from "Project Runway," I don't think I have anything on there from the Lifetime network, and this show promises to bring a lot more sizzle to my summer.
Thursday, May 28, 2015
Someone somewhere (I can't remember where now) recommended Tommy Tune's memoir "Footnotes," from 1997, saying it was juicy and when I looked on Amazon it was selling for a penny (!) so I ordered it. It took the longest time to arrive (I am guessing media mail) so I almost forgot about it when it did. Whoever it was that recommended it, I thank you a million times - because I can't remember the last time something worth a penny brought me such joy. It's a poignant, joyous, and yes gossipy little book. It doesn't follow the structure of a normal memoir - it's as if the whole thing was written like a stream of consciousness. He would start to tell a story about something, then remember something so he would continue with that, and then go back to his original thought. It's immensely personal - imagine you are having dinner with him, and then he tells stories from his life, and you can continue as you clear the table, wash the dishes, and end up at his sofa as he wistfully reminisces loves of his life. This book is funny, emotional,. touching - and it gives you a glimpse behind one of the greatest minds ever to hit Broadway. Highly recommended
Wednesday, May 27, 2015
I am shocked. Shocked, I tell you. One of my most favorite albums right now is from a genre that I would never associate with myself: Christian music. The album that I am digging right now? Amy Grant's "Be Still And Know: Hymns & Faith." of course, I shouldn't (and really don't) discriminate: a good song is a good song; wonderful music is wonderful music. A lot of people - including myself - probably only know Grant from her pop days from the 90s. But she has been singing Christian music way before that, and is something of an icon in those circles. One can see why - you can tell that she is in her groove singing these songs, as she infuses herself so immensely in them, that you feel that she feels every word, and every nuance is apt, every breath measured. My favorite tracks? "Joyful, Joyful, We Adore Thee," and "'Tis So Sweet To Trust In Jesus." I somehow can overlook the overly religious and self-righteous messages of these songs, and just listen to the wonderful melody, and Grant's great voice interpreting them. And "El Shaddai" always slays me. I read on Amazon that apparently that this album is a compilation from previous albums, and has been marketed somewhat misleadingly. (uh-oh, that's not very Christian) For someone who does not have this discography, this is a perfect starter for her non-secular music. And if it converts you t Christianity, I am sure they will like that, too!
Tuesday, May 26, 2015
Not gonna lie. I mainly was interested in watching "Unfinished Business' because of my irrational crush on Dave Franco. These kind of raunchy testosterone filled comedies aren't really for me. About twenty minutes into the movie - Dave Franco or no Dave Franco - I was ready to give up. But I persevered, and I knew I wanted to write about it. And you know what? I am glad I did. In the midst of all the sex jokes, this movie had a tiny beating heart. It's a small one, but it's there, it's alive. And there is even a small and sweet gay angle to the thing - I was ready for a homophobic tone, but I was pleasantly surprised to find the opposite. And it is partly shot in Berlin, and they kind of capture the city in its glory: slightly deranged, slightly off, but an interesting city like no other. And yes, I thought Dave Franco was kind of dopey adorable here, and perfectly gave his all to the role, even at times outshining his co stars Vince Vaughan, and Tom Wilkinson - no small feat. And yes, he satisfied my weird craving for him/ If only for that reason I don't regret seeing this. But truthfully, I left with a little more.
Monday, May 25, 2015
Does the world need another rose scent? Or more specifically, do *I* need another rose scent? That note is very much represented in my collection, but I don't mind. I like it in all forms: deep, dark, mysterious, or dewy, airy, light. When L'Artisan announced they were launching a new rose scent, I was excited as I adore their two previous rose scents. I wonder, how will they differentiate this third release from their other two (I do think one of the earlier releases, Drole de Roses, has been discountinued, though) Rose Priveé is a more light airy rose. It is sort of aquatic, but with a dark shadow. It opens like a rose fresh from the rain, tinged with a deep violet note. The contrast is immediate, and striking. It then continues to a more vegetal state - this rose veers more green than pink. It's slightly bitter with an oakmoss-y note, which makes this a lot more mature. The woods stay there to a woodsy rosey finish - I detect hints of patchouli which grounds it, and hay which gives it more softness. I like it a lot, and find it a lot more interesting than I thought it would be. Though I won't be rushing to buy, it will be on my radar.
Sunday, May 24, 2015
Lies Lies Lies (Television Thoughts: Younger Episode 9: I'm With Stupid, Episode 10: The Boy With The Golden Tattoo)
I was a little bit disappointed with the past episodes of "Younger" and was draging my feet watching Episodes 9 ("I'm With Stupid") and Episode 10 ("The Boy With The Dragon Tattoo") but seriously, these two episodes are exceptional, and forward the story more. On "I'm With Stupid," Liza begins to have insecurities with his relationship with Josh. One of Josh's close friends mentions to her that she thinks he is dumb, and that idea permeates in her mind. The snob in her comes out when she finds out that he doesn't like to read. (He rightly explains that as an artist, he is a more visual person) Meanwhile, a manuscript from the slush pile catches her eye, and she uses her old book club in New Jersey to get feedback on the book. Everyone loves it. On Episode 9, ("The Boy With The Golden Tattoo") we find out that the author (Ana Gesteyer in a great guest spot role) plagiarized the piece. Liza's doubts for Josh comes full circle here as well, when she gets introduced by him to his friends as a girl who he is "just hanging out" with. At the end of the episode, he proves his mettle by showing Liza he got a dragon tattoo (to symbolize the year of his birth) Both these situations give pause as Liza realizes the lie she is living with. With two episodes to go, I am curious and intrigued as to how the season will end - will the lie come out, or will it continue to the next season?
Saturday, May 23, 2015
I liked my first Elizabeth berg book so much I decided to go read a second one, and I read what I thought was a popular choice: "Open House." It was an Oprah Book Club selection, and was a bestseller. The first thing I noticed is that it is kind of dated: characters still watch movies via VHS tapes, and people still calculated long distance phone call costs. That's not necessarily a bad thing, but the book felt like a historical novel in that sense. I found this book very weird: it seems like Berg couldn't decide on the tone of the book. It starts out sad and wistful, but she goes into comedic situations. But, it's very much readable and never boring.
Friday, May 22, 2015
As the second season starts, we see some series expansion. Aside from the fact that each episode now clocks over twenty minutes, we get more stories: Ben by the second episode loses his day job at Gawker - which opens the series up, storyline wise - and he ruminates about something more. In case you are confused, that would be falling in love, looking for a husband. The series becomes more soap-y (even the cast of characters around him get their own individual arcs) and it's addictive. It's mindless fun - the kind that you can't stop watching, and will make you a little guilty the morning after. So you know, like sex. Needless to say, I am hooked.
Thursday, May 21, 2015
Some people are just born stars. They bring lustre in even the dullest projects. Chita Rivera brings lustre and sparkle at The Lyceum Theater every night in "The Visit," and for ninety minutes you think all is well.
The show has a lot of things for it: it is based on the famed work by Friedrich Dürrenmatt, which I devoured when I was in High School, and the book is by Terence McNally. It is even the last collaboration by the legendary Kander and Ebb, and stars Chita (no last names, just Chita) It is directed by John Doyle, whose work I mostly dislike. I saw the Hal Prince production a few years back and I thought it was fine enough for Broadway. What is on stage at The Lyceum doesn't really work in the most cohesive sense. First of all, it's sort of bi-polar: it starts out kind of bitter, then veers towards sentimentality, and touches on a little bit of dark humour. Yes, it's fine to see all those three things in one show, but in there it is never balanced correctly. The score is dark and Brechtian, and is melodious, complex, accessible, and haunting: just perfect match to the material. The costumes and sets are moody and match the score.
Chita is a marvel. From the moment she walks on that stage she commands it. A simple flick of her cape enthralls the audience. She is menacing, she is funny, she is a delight. You know you are seeing a living legend on screen, and if indeed this is her last Broadway role, then she leaves with a bang. If there is one compelling reason to see the show, it would be her. The rest of the cast services her well (Roger Rees is more an actor who sings and his pitch problems can be troublesome for others)
So is "The Visit" worth a visit? I think so - it seems almost a throwback from the Golden years of Broadway - an imperfect show with a memorable score and a major star.
Wednesday, May 20, 2015
I wasn't in love with the first "Pitch Perfect," but I know a lot of people were. Hence, a sequel. And i know it has been raking in money, so for better ot worse, I thought to myself I might as well see it. (There are also not that many choices out there, right now) I think it is interesting that this movie was directed by actress Elizabeth Banks, and I think giving the film a nice feminine touch would serve it well. (She does double duty as one of the commentators in the film) So the verdict? I don't think it succeeds fully, but at the same time it;s pleasant, it's entertaining enough, it didn't annoy me so all in all not a total waste. So - meh. Let's start with the good: Anna Kendrick can do no wrong, Brittany Snow is solid, and Rebel Wilson made me laugh a lot more times than I care to admit. I have seen that opening scene (where her character Fat Amy accidentally flashes the President) numerous times in the preview yet it still made me laugh. And her scene where she professes her love to Adam DaVine was genius, and has markings of musical comedy. (Can someone please give the two of them their own movie?) Still, the pacing is glacial, and more jokes fall flat than land.The addition of Hailee Steinfeld didn't serve a purpose, and the film was overly long. I guess kids will have a lot of extra time this summer and they can do worse. So can you.
Tuesday, May 19, 2015
All you need to do is look at the cover of Andrew Grey's "The Price" and you can kind of discern what the book is all bout. Basically, it is set in Las Vegas and involves a male hustler who meets a teacher (also, incidentally, an old classmate of his from high school) and...well, you can predict the story. I don't really mind that, but this book attempts a little more, and it sort of succeeds. Grey has a good eye for character and dialogue, and I actually felt there's more there here. For my taste, it is still just a tad too pulp-y, but at this point thats a quibble.
Monday, May 18, 2015
The first sign that I knew the Supergirl pilot was going to be good? Laura Benanti! I mean, Laura Benanti of Broadway! She was Maria, she was Louise! And here she plays not only Supergirl's mother, but also evil sister of Supergirl's mother! I just had a feeling this is going to be a good show. And based on the pilot, all points towards it being spectacular. Melissa Benoist! I didn't much like her anorexic character on "Glee" but here she finds her groove: cute, vulnerable, and when she dons her superhero outfit, kind of bad ass! She carries the episode like the supernaturak human being she plays. And I know Calista Flockhart has been getting flack for her role as Cara's boss, but I thought she was fine: equal parts loathsome and camp. That twinkle in her eye shows that she knows how to not play her role too seriously. And Cara has sizzling chemistry with James Olson. Even though it may not be the case, they would make a combustible couple. And well, let's go back to Broadway and we have Jeremy Jordan, who plays Wynn, Cara's friend/confidante. The best line of the show was when he asked, "Are we superfriends?" and she quipped, "We don't use that term here." Okay, so maybe the action parts were not my favorite, but that is just me anyway: what will have me coming back for more here are the human storylines: how will she conceal her identity? can she survive her Miranda Priestly-ish boss? how will her friendship with Wynn evolve? will she fucking fall in love? Come Fall, I will be there with popcorns on.
Sunday, May 17, 2015
Saturday, May 16, 2015
I guess Osmanthus Blossom was a big seller for Jo Malone when it was first released as a limited edition scent that they decided to bring it back this Spring as part of the Blue Skies And Blossoms series. I never got a chance to try it the first time around, though I should say that I did (and do) like he lace-crested bottles they had then. (Yes, I could be shallow) So today I finally spritzed it, and asked myself, quoting Peggy Lee: Is That All There Is? The Osmanthus note is not as common, thought I love The Different Company's take on it. But here, in Osmanthsu Blossom, I can barely sense it. It's so faint that all I get is the citrus and some fruit (peach? appricot?) and the over all effect is so pedestrian, akin to any other department store fruity floral. It borders on too-sweet too, and the drydown is that screechy artificial sugary thing that I was shaking myself, asking, is this Jo Malone? That is, if the scent even stays on your skin for long. I gave myself little less than an hour and I could barely smell it on my skin. Yes, I want something light and fun for Spring, but I kind of want to have it last a little bit too. I am told the other two int he series - the Sakura Cherry Blossom, and Plum Blossom, fare better. Maybe I will have better luck there.
Friday, May 15, 2015
Okay, I get it. Everyone (including the characters in the movie) is saying that "Chocolate City" is the black "Magic Mike." They wish. Magic Mike may not have been Soderbergh's best work, but it certainly was above par. "Chocolate City" is bad. It doesn't belong in the "so-bad-it's-good" category (it has miles to go before it becomes 'Showgirls') Rather, I would put it under So-bad-it's-kinda-okay category. First of all, there 's only a whisper of a plot here, and it's familiar: doting son needs money for his family so he turns into stripping. We've all seen these whore with a heart of gold movies. And Robert Ri'Chard, as Mike (get it?) may look like fine chocolate, but he is dead in t he eyes. As a male ingenue, Alex Pettyfer had miles more charisma. Tyson Beckford, as his nemesis, is just as bad, but his character suffers from being underwritten and having no motivation. Ri'Chard's character is all over the place, too. He goes from one scene being unsure about stripping to the next performing a dance number so intricate and well-prepared for that I endedup guffawing. And despite the stripping numbers being well choreographed, I found myself bored: there's no soul or edge to the numbers. The saving grace: the flippant tone of the movie. It doesn't take itself way too seriously, and a lot of scenes in the last quarter were hilarious: some intentional, some unintentional. I suspect some of these scenes would be camp classics. And lastly, when did Vivica A Fox - in an over the top wig - start being so "motherly"? This may be a case of once gong black, to (the original) Magic Mike you go back.
Thursday, May 14, 2015
Could it be possible that I have never read any of Elizabeth Berg's books? She seems like my kind of author. But here it is, I just finished reading my first Berg book - Home Safe. And I feel like I want to grab as much of her books now, because this book really touched me, and I couldn't put it down (Strangely enough, this has a lot of negative reviews on Goodreads) I found myself identifying with the protagonist, Helen, who is recently widowed and is on a crossroad as to what to do next in her life. After her husband dies, she gets a revelation that changes the course of her life. This is a heartfelt novel, one that embraces both change and staying put. I am still haunted by it.
Wednesday, May 13, 2015
Tuesday, May 12, 2015
Isabella Lundgren is from Karstad, Sweden but studied music in New York City. At the age of twenty three she moved back to her native country and released "It Had To Be You," her first album. It is wonderful. At a young age, you can tell that she knows and understands the intricacies of songs from The Great American Songbook. I love her "Don't Ever Leave Me," as she infuses it with much longing. Her voice reminds me of a less harsh version of Stacey Kent, and it is wondrous. I couldn't help but feel her soul as she sings, like in "You Belong To Me," she gave me yearning, vulnerability, passion. Though in bluesy numbers like "Blues In The Night," you can sense her greenness, she always soars in the ballads. (I had "if I Should Lose You" in repeat for an hour and did not tire of it) She is one of those singers who can convey angst in her singing, reminiscent of Billie Holiday and Edith Piaf, and I am always a sucker for those. She can even make an ubiquitous song like "La Vie En Rose" sound like you are hearing it for the first time. I know at times I can be jaded when it comes to jazz vocals, but I am smitten by Isabella.